What is Warner Chappell Production Music?

Warner Chappell Production Music is the Emmy-winning production music arm of Warner Chappell, creating tracks used by leading film and TV studios. Through our partnership, the WCPM catalog is available on Soundstripe as a curated collection.

Is the Warner Chappell collection included in my Soundstripe subscription?

You can access the Warner Chappell Production Music collection by subscribing to the collection or licensing individual tracks. There are approval requirements for certain geographies and business types. If you are not sure which option fits your project, our team can walk you through it.

Who owns Warner Chappell Production Music?

Warner Chappell Production Music is part of Warner Chappell Music, the global music publishing division of Warner Music Group. Soundstripe partners with WCPM to bring the collection to creative professionals.

BUILT FOR CREATORS

Royalty Free Music for YouTube

A claim can land days after upload, once the video has already done most of its numbers and the money is on the table. Every track here is licensed in your name at the moment you download it, the license document sits in your account long before anybody asks to se it, and if a claim does appear our team releases it for you.

Create free account Explore music library

OUR MUSIC

Royalty free music for YouTube videos, from lo-fi to cinematic

Six to give you the idea. There is lo-fi in here, cinematic, house, acoustic, hip hop, and the real catalog runs a lot deeper than six of anything, plus nearly 100K sound effects. All of it cleared for monetized uploads, Shorts and sponsor reads.

OUR CATALOG

Looking for a track your audience hasn't heard on three other channels this week?

Filter by genre, mood, tempo, instrument and energy until it fits the cut, then narrow it down to the tracks that come with stems if you already know you want to strip the vocals. Sort by what the track has to do rather than what it is called, and audition it against your own footage before you commit to it. Or skip all of that, describe the vibe in plain words, and let Supe (our AI assistant) do the digging.

The claim usually lands after the video has done its numbers.

You publish on Tuesday, the video moves, and on Friday monetization switches off while somebody reviews a claim. The revenue from the best three days is gone before it resolves. That is a documentation problem, not a music problem.

Content ID is blunt on purpose

Rights holders need a way to find their music across billions of uploads, so the matching runs automatically and asks questions later. That is why a correctly licensed track can still get flagged when a rights database is holding stale information. What matters is whether you can produce the paperwork that day, so every download issues a license document in your name, and if a claim lands you send us the video URL.

Free and cleared still puts you on a shared shelf

YouTube's Audio Library is free, built into Studio, and it works. Google's own help pages describe it as royalty-free production music and sound effects. Every other channel draws from that same shelf, so the music meant to make your channel sound like yours is what a viewer heard somewhere else this morning.

The clearance stops at YouTube's edge

Audio Library tracks are cleared for YouTube. Cut the same video for Reels or TikTok and you are outside what you were given. A licensed track travels with the file, which is why one edit goes out on four platforms without clearing anything twice.

How to get a music license for YouTube

Licensing music for YouTube videos means getting written permission to use a specific recording from whoever controls the rights to it. For a commercial release that means two separate negotiations, one with the label that owns the recording and one with the publisher that owns the composition. That process is slow, it is expensive, and for an individual creator it is usually not available at any price.

A subscription replaces the negotiation with a license you already hold. Download a track and the license is issued with it, in your name, covering monetized uploads, sponsored segments and client work, and sitting in your account for whenever somebody asks to see it. If a subscription is more than the project needs, there is a single-use option that covers one track for one video.

Turn it up, not off.

Start a free account, download a track, and see the license it generates.

Create free account

Meet Supe

Music search that works the way you think. Describe the video in plain words, react to what comes back, and save your faves for the next upload.

Stems and cut-downs

Pull the drums for the cold open, drop the pad under a voiceover, and grab a thirty-second cut for the sponsor read. Same track, four different jobs, no re-licensing.

Playlists and projects

Keep a shortlist per series or per video, and share the link when an editor is cutting for you. They do not need an account to listen to it.

Everything else about YouTube audio

Frequently asked questions

Download it from a licensing catalog rather than pulling it from inside the app. Soundstripe holds 116K tracks by real artists, and every download issues a license in your name covering monetized uploads, Shorts, livestream VODs and sponsored segments. Filter by genre, mood and tempo, or describe the video in plain words and let Supe find it. The track lands on your machine, so it is in the timeline before YouTube ever sees it.
Most start with YouTube's own Audio Library, which is free and built into Studio, and a lot of channels never need anything else. Creators tend to move to a licensing catalog when the same edit starts going out on other platforms, when a sponsor comes on board, or when they want the channel to stop sounding like every other channel. At that point the license is what changes, not the workflow.
Download a track and the license is issued with it, in your name. Licensing music for YouTube videos would normally mean getting permission from whoever controls the recording, which for a commercial release means a label and a publisher separately. A subscription replaces that negotiation with a license you already hold, and there is a single-use option if you only need one track for one video.
No. One subscription covers every video on the channel, including long-form uploads, Shorts, livestream VODs and sponsored segments. You are not buying a license per upload or working out which tier a particular video falls into. If you would rather pay per track than subscribe, a single-use license covers one track for one project.
Music you hold a license for, or music from YouTube's own Audio Library. Both are cleared, and the practical difference is reach: Audio Library tracks are cleared for YouTube, while a track you license yourself is cleared wherever you publish it. Commercial releases are not in either category, whatever the video's length or how the audio is edited.
Usually they do not, and the ones who appear to are either operating under a claim they have accepted or working with a license you cannot see. When a rights holder claims a video, the common outcome is that ad revenue is redirected to them rather than the video being taken down, so the channel keeps the views and loses the income. That looks like getting away with it from the outside.
There is no 30 second rule. It is a persistent myth that using under thirty seconds of a song counts as fair use, and Content ID matches short excerpts routinely. Fair use is a legal defence decided case by case, not a length you can stay under. If you need the music to be safe, the reliable route is a track you hold a license for.
Yes. Brand deals, sponsor reads and fully sponsored videos are commercial use, and commercial use is included, so there is nothing extra to buy when a sponsor comes on board and no need to swap the music for part of the video. Campaigns that need broadcast or out-of-home terms are quoted separately by our team.

Score it once. Publish it anywhere.

Join creators who score their work with Soundstripe.